Walking Together On An Ecospiritual Liberatory Journey
I am writing this pre-dawn in the stretched pregnant hour before the dance of the day, while stars are still singing soliloquies in the belly of night.

I’m drinking the landscape with a warm cup of earthy fir tip/lichen/turkey tail tea, and before I light a candle, I’m refllecting on how everything is born in the dark: seed sprouts, dreams, fires, flowering buds, stirrings of life incubating in wombs.
Yesterday was this month’s Re-Enchantment & Gratitude Day, when we honor DARKNESS. But any day of these two weeks of the year leading up to the Solstice-the longest nights of the year- are a perfect time to slow down and embrace the season’s energies.
Could we begin to treat darkness as a Gift? An Elder? A Mystery?
A long-lost lover with whom we can reconnect?
Like so many other aspects of modern life, the OverCulture paves over the season of slowness and darkness. Yet there’s a reason for the seasons.
There will always be plenty of forces out there that have little respect for the wisdom of the season or the body, tempting us to do more things, be more things, buy more things, keep the lights on perhaps a little more than they need to be. Yet some part of us knows that if we incessantly try to perform summer in winter, or move at the pace of extraction culture, the consequences will be sure to show up as symptom (our body-heart-psyche will speak).

It is liberatory to re-claim our alignment with natural cycles and the pace of our bodies and the dark season. There are many beautiful ways to be with the Dark (see below for invitations). When we sip each season slowly (both inner and outer), we let the season season us. We feel the reflective turn and all the various species of surrender, and let the elemental alchemy do its work.
These deep autumn allurements can be a threshold into wondrous winter moments, calling for us to dream anew as we are offered the depth of darkness, rest, and surrender.
One way to do this: gift yourself a little ritual. Doesn’t have to be fancy, just a slow, intentional moment to check in with all parts of yourself:
How do I want to be in this season?
What does my body want?
What does my heart need?
What does darkness invite of me?
What is wanting to be set down for a den’s rest?
Let yourself be quiet in the dark for a few minutes in deep listening. Feel what tugs or messages arrive. Perhaps there is a gentle call for how you want to greet the season. But don’t you dare start making new year’s resolutions! That is Modernity’s productivity algorithm sneaking back in. There will be a time for that, but this is not the time of forward energy and plans, this is the time of downward energy and a pregnant pause.

I learned that the Inuit and Inupiaq peoples of the far north have a custom in preparation for the whale hunt. With no lamps lit, they sit in darkness, in stillness, and in qarrtsiluni, the state of one that waits for something to happen. One translation of qarrtsiluni:“sitting together in darkness waiting for something to burst” until melodies and words rise like bubbles in the sea as they rise and burst in the air. Such are whales honored with song.
What would it look and feel like if we allowed ourselves to honor the darkness and stillness and await the whale-songs of our lives to burst forth?
What would emerge in that fruitful darkness?
As a dispersed web of folks deepening into our own unique landscapes around a particular theme, we are participating in the movement during this Great Turning for the re-enchantment of our lives, re-belonging ourselves to the sacred web of life with our gratitude and awe.
The invitation is to participate byhonoring Darkness through words, intention, learning, ceremony, altars, song, or deep listening in your own landscape, at your own pace. See below for different invitations to celebrate Re-Enchantment & Gratitude Day:
May you find your own best way to listen to your body and soul wisdom, to carve out your sacred pause, be with the darkness and sink into your season.

I’d love to hear about your experience and unique ways of connecting with the Dark Season in an intentional way.
Wishing you slow rest in the fruitful darkness,
Director of Creative Earthiness, Ryan
Bear Art Credit: Sandra Dieckmann from the book Leaf

Moon Has a Long Memory is finally here.
Moon as Companion. Moon as Lover.
Moon as Elder and Messenger.
Moon as Turtle as Human Heart.
Night Sky as home and heritage.
Savor these 33 lunatic poems that evoke new perspectives on Earth’s ancient companions, popping them on your tongue with moon-cooked mirth and a glad mouth stained purple and free. Moon Has A Long Memory is the first of the Kin Collection, a series drawing readers into the animate web of life, honoring one relative at a time: Moon, The Smalls, Water, the Seasons, Rooted Ones, and the Feathered Ones.
If you’d like to gather it for your basket, you can check it out here.
May Moon Be With You

Kiss Me A Huckleberry is finally here 🙂
At first, I was thinking of waiting until next summer to release this one because the cover features wild fruit. But don’t be fooled, Ecosensuality is not only a summer season thing—it’s a year round evocation. From tasting the first snow flakes of the season and playful devotion to slowness to redwood romance and an open relationship with the land, I foraged these poems from my own explorations in intimacy with the animate world. In fits of feral flirtation over the years, the huckleberry sprites blew delicious kisses and every one opened a portal into deepening ecosensuality.
Nature is inherently sensual. Our body and senses are one of the surest paths back to our own wildness, our own joy and wholeness. One step at a time, we wander and wonder, smell and feel, reclaiming our sacred embodiment.
If you’d like to gather it for your basket, you can check it out here.

There are certain worlds that only make themselves available if you slow down enough to see them eye-to-eye. Gut-to-gut. god-to-god.
There are certain dimensions that open only if you meet their vibration.
There are certain beings that require a landing pad in your psychosomatics, a mythopoetically cultivated terrain that becomes a welcome place for them to arrive.
There are certain sacred circles you must become small enough to join.
What gratuitous beauty secrets itself in plain sight?
What deep time love appears with an open aperture?
What tender monsters shapeshift with an invitation?
What bubbles of creative awesomeness only effervesce with a silent pause?
MODEL: Reverberating multi-dimensional musical water sphere beings playing with fine feather moss making kin with a retiring Sequoia sempervirens elder
Precisely a year ago I experienced a flurry-of-dreams-week. It started with one that said:
“The dreaming time began with sacrifice.”
It ended with one where my mom presented me with a baby dragon as a gift. Instead of scales, it has green and blue feathers. Dream me was ecstatic and playful.
Mom says, “Lead a parade with it.”
I ask about what leading a parade with a baby dragon means, and I see these words: “Polypoetic Wow of the Den”
I took the dreams to the hearth fire for illumination; I drummed them; I took them out for walks and introduced them to the big and small in the landscape. These image sequences from the liminal realm helped catalyze a winter of incubation and vision, steady spring emergences, and summer/fall harvests of 6 new poetry collections.
But only now—after slipping my lichen-faced snout into the year’s fog—poking around in it with both an owl’s talons and a slug’s tender belly, do I realize that the dreams didn’t just visit me—they initiated something in me. They continue to haunt me and provoke in all the best ways, and now I’m in inquiry about how to carry its dragonfire forward in this Great Turning.

Dream Mom’s gift feels like a lineage blessing of relentless creativity. The instruction of “Lead a parade with it” isn’t about performance. Or even leadership. It’s about processional magic. A parade that practices pollination and dawn-to-dusk invitations to rejoin the animate web of life.
I see now how each resulting book created its own doorway into a different relationship to, or dimension of, life. Poems as thresholds. Poems as labyrinth turns. Poems as invitations into a different orientation. When I walk through the books barefoot, here is what sticks to my soles/soul: They are as much embodied noticing as ecological devotionals, as much monster intimacy as seasonal attunements. They invite ceremonial commitment and silliness, as well as dream gestation and desire cultivation.
I say all this to affirm a truth about the world: All Life is a fruiting body of the relentless creativity of the Cosmos. Everything is myclelial and uniquely magical. Mushrooms and humans and civilizations are dreams of Earth. And our dreams are no less Earth showing up as image or message inside our bodies. Neuroscientist Sidarta Ribeiro calls dreams “oracles of the night.” So coming into intentional relationship with them is not only something worth doing in order to support our creativity and our shadow work, but how this whole shebang is set up: co-creation through dreaming.
It is fundamental the architecture of existence. As Alan Watts said, “We do not “come into” this world; we come out of it, as leaves from a tree. As the ocean “waves,” the universe “peoples.” Every individual is an expression of the whole realm of nature, a unique action of the total universe.”
Yes, humans are not separate from the rest of Life, but rather are an expression of it, like a wave is an expression of the ocean. Part of its continuous, natural flow. Or to keep with our metaphor, humans too (and their dreams) mushroom out of the vast, interconnected mycelium web we might simply call Mystery.
I’m much more of Jungian, but Sigmund Freud turned to mycelium as a metaphor for dream life. As he put it: “The dream-thoughts… branch out in every direction into the intricate network of our world of thought. It is at some point where this meshwork is particularly close that the dream-wish grows up, like a mushroom out of its mycelium.” A dream, in this view, is not an isolated image but a fruiting body — a visible expression of a vast, tangled unconscious world.
So in tending to, wooing, working with, playing with, praying with dream images, one helps extend that mycelial web into one’s life – often in the form of legible creative prokects. I hold as one way in which we can attune to the callings that brought each of us here to lend our unique gifts and vision in the world.
I don’t yet have all my marching orders for the next turn of my season—or rather, my spiraling and opening orders—because murmurations from dreamtime and earthtide don’t line up politely; they shapeshift, they surprise, they refuse the choreography of Modernity or any impolite demands. After many seasons through the up and the down, I know that they will move at their own pace, with their own wild grammar.
It will likely require long dark nights, deep listening, and unpredictable dreamfires. It will require sitting in Slug Council and hanging out with fungi friends. It will be subsidized with secret vows unutterable in human tongue. Purple octopus and Inchworm/Inkworm have made appearances, and some indecipherable instructions for something called Refugia. Bear as always, having no tolerance for abandonment, shows up to knock some ursine sense into me. These are allies, cairns in the labyrinth, not the primary parade path.
But I’m aware of at least three routes baby dragon is forging — metabolic pathways posing as book projects and wild nature heart programs. One is called Becoming Beautiful Barbarians, another is Unsheathe Your Swords of Unfuckery.
They are courting Life as a punk-animist abolitionism in a trickster–mycelial–post-imperial register, gesturing at an end-of-world/beginning-of-the-world pedagogy. They are refusing to sanitize themselves and declare their unapologetic allegiance to trickster and Earth, not to a publisher or an algorithm.
I trust their snarl, laugh, and limp, as they lick wounds and cast spells. As they feed wild shadowberries to the exiled parts of our psyche, as they evoke somatic shapeshifting and enchant with irreverent sacred sporulation, I remain open to co-creation.